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Venturing Outside Paris to the Land of Bubbly: Champagne, France
On previous trips to Paris, I've always yearned to venture outside its noise, crowds, and high prices in search of the real France. In my mind, it's a postcard region of walled medieval villages, cobblestone streets and lush landscapes studded with Gothic cathedrals; a place of fragrant cheeses, savory local produce and, of course, superb wine.

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Moet Chandon Champagne cellars in Epernay
Moet Chandon Champagne cellars in Epernay

The Medieval town of Troyes
The Medieval town of Troyes



Venturing Outside Paris to the Land of Bubbly: Champagne, France
Story by Adrian Maher

Edited for Global-Writes by Kim Rahilly

On previous trips to Paris, I've always yearned to venture outside its noise, crowds, and high prices in search of the real France. In my mind, it's a postcard region of walled medieval villages, cobblestone streets and lush landscapes studded with Gothic cathedrals; a place of fragrant cheeses, savory local produce and, of course, superb wine.
The Cathedral of Notre Dame at Reims
The Cathedral of Notre Dame at Reims

When I was recently offered the chance to tour France's rural Champagne/Ardennes region, I leapt.

Only 90 minutes northeast of Paris, the area boasts miles of rolling vineyards, tranquil rivers, and hilltops studded with charming chateaus. The lunches are long; the service excellent and the flashes of Gallic charm very much apparent. It is also home to the largest collection of champagne houses in the world -- more than 100 in a 500-square-mile area -- including such famous brands as Moet Chandon, Tattinger and Pommery.

Centuries before the Romans conquered Gaul, inhabitants have been drawn to the area's rich chalky soil with its limestone slopes - model conditions for growing the pluperfect grape. In the seventeenth century, a Benedictine monk, Dom Perignon, made a startling discovery that changed the wine-making region forever. He accidentally stumbled on a double-fermentation technique that instilled his drink with flavor and fizz. Within months, the monks of the Benedictine abbey in the small village of Hautvillers were renowned for their bubbly. The abbey is privately owned, but the seventh century church still stands, as does Dom Perignon's tombstone in an adjacent cemetery.

For a sojourn throughout the region, I decided it was best to follow the Routes Touristiques de Champagne, which winds through several small cities, clusters of villages and vineyards. The ideal launching point is the city of Reims, pronounced “Ranz,” that houses the ancient Cathedral of Notre-Dame.

The church sits on the site where Clovis, king of the Franks, was baptized by St. Remi in 496 A.D. The thirteenth-century structure is a multi-spired edifice of more than 2300 statues that can accommodate 10,000 worshipers. From 1223 until 1823, it was the place where every French king, 25 of them, were crowned. Stained glass windows by artist Marc Chagall decorate the church's recesses.

Despite being badly damaged by German bombardment in World War I, the city still testifies to the glories of French history. It contains the eleventh century Basilica of St. Remi with its splendid chandelier and the Beaux-Arts museum that is filled with medieval portraits and landscapes. Only several blocks away, is the Porte de Mars, a Roman triumphal arch from the third century.

In most French towns, lunch is a sacred rite. Chef Herve Liegent prides himself on only serving local delicacies at his fabled restaurant, Le Vigneron, in Reims. The five-course meals often come with five different brands of champagne. The walls are covered with champagne posters from the 1800s and behind the adjoining glass is a veritable museum of ancient tools for culling the region's mighty grape.

After lobster bisque titillated the palate, a pungent soup made of Langre cheese with a poached egg was served. A main course of diced baby pigeon and some local chou or cabbage with a red-wine mushroom sauce then sent me to Valhalla. A board covered with local cheeses, particularly Chaource - ripe, tangy, and runny, was offered with some country sourdough. Dessert was a molten chocolate cake that seemed to burst open with every fork-full. Strong coffee and small biscuits from the local bakery left me completely satiated. The price: $60.

The French “art of the table,” a long midday break filled with potent conversation, good friends and exquisite local food lasted more than three hours. Some local businessman at an adjacent setting took about the same time. The aphorism, “The Americans eat to live, the French live to eat,” had never seemed so true.

After two days, I journeyed 40 miles south to Epernay, France's champagne capital -- a town of classical chateaus and renaissance architecture. The small city is surrounded by sloping vineyards and abuts the river Marne. Within the town, the major champagne houses -- Mercier, Pol Roger, Perrier-Jouet and De Venoge, among others -- line both sides of the Avenue de Champagne. Hundreds of thousands of visitors come each year to wander the streets sampling the world's finest bubbly. Underground are more than 60 miles of cellars holding hundreds of millions of bottles of champagne.

I received a public tour of the Moet Chandon caves, a mesmerizing series of dark, dank tunnels under the company's chateau headquarters, that housed endless rows of bottles filled with fermenting wine. One of Moet's marketing directors, Arnaud de Mareuil, guided me through the warren of passageways and proudly outlined the delicate process of making champagne. The grapes are pressed and left to ferment in large metal vats for several weeks. Superior wines are officially ranked as “grand cru,” and then expertly blended. Cane sugar and yeast are added and bottles are temporarily corked and stacked on their sides at a 45-degree angle in the caves. A second slow fermentation starts as the sugar is turned into alcohol and carbonic gas, giving the champagne its fizz. The wine is then stacked for 12-36 months at 50 degrees Fahrenheit and then taken through a process called “riddling,” where each bottle is routinely gently shaken to loosen deposits. The bottles are eventually stacked vertically; the deposits removed and a cork inserted and wired for selling.

I eagerly followed Monsieur Mareuil to the chateau's upstairs tasting room, a place that was often visited by Napoleon. As I gazed out the Renaissance windows onto the impeccably manicured lawns, I lifted a shimmering flute of Moet bubbly to my lips, only to be interrupted by my host. “An important element of excellent champagne is the millions of bubbles rising to the top -- bubbles that can take years to laboriously produce,” said Monsieur Mareuil in heavily French-accented English. “And right now, you cannot see the bubbles because of the way your big hand is holding the glass.”

I had indeed been holding the delicate champagne glass the same way a hardy stevedore grips a stein-full of lager in a German beer-hall.

Monsieur Mareuil then delicately peeled each of my fingers one-by-one off the glass and delicately repositioned them to clutch the stem. I was then known as “Count Finger-Peel de Moet Chandon” for the remainder of the trip by my fellow travelers.

Once the mid-afternoon tasting was over, I drove about 60 miles southeast to the Medieval city of Troyes, a gorgeous town of gothic gabled roofs, narrow cobbled alleyways and small courtyards brimming with flowers. The municipality has a larger concentration of homes built from Medieval timber than any town in Europe. Once a center for international trade in the twelfth and thirteenth centuries, Troyes became famous for its School of Sculpture in the sixteenth century, the artists of which embellished the churches, cathedrals and museums with hundreds of distinctive works of art. The city was also noted for the making of stained-glass windows, and now houses the richest heritage of stained-glass windows in France -- more than 10,000.

The town, situated on a bend of the River Seine, also features several important museums including the Museum of Modern Art, which displays paintings, drawings and sculptures by such artists as Degas, Derain, Cezanne and Braque.

I spent many hours walking the tiny streets, ducking into chocolate shops, sampling cheeses, and reveling in the dozens of Renaissance mansions covered in the original facing of dark brick and white chalk -- the famous Champagne “chessboard” pattern. I lingered at several cafes in the town's center, munching on croissants, sipping the strong local coffee and watching the bustle of the local inhabitants.

My small hotel, Le Champ des Oiseaux, was ensconced in a jumble of fifteenth century houses in the middle of a small alley. Its timbered facade, eclectic wooden interior and polished floorboards made me feel like a traveling Renaissance prince. Rates for the 12 suites are reasonable at about $140 per double.

On the way back to Paris, I decided to sample some real lordly living. The Chateau d'Etoges is a 300-year-old castle -- a privileged place where the Kings of France used to stay when heading east. Louis XIV admired the beauty of the gardens, fountains and ponds. Napoleon's court often entertained nobility here. Gorgeous brick towers, tapestry-hung walls and a river running below my bedroom window, reeked of royalty.
Palace-style living at the Chateau D'Etoges
Palace-style living at the Chateau D'Etoges

A stately room including breakfast and dinner starts at around $200. There was hardly a tourist to be found. Most travelers to France think Paris, Burgundy or the Loire Valley, but in the land of Champagne, there are gorgeous chateaus, superb food, friendly locals and crates of inexpensive champagne.

The land of liquid gold has never seemed more appealing.

TRAVEL INFORMATION

For public tours of Champagne:
www.champagne.com

Le Champ des Oiseaux hotel
www.champdeoiseaux.com

Chateau d'Etoges
www.etoges.com


© Story by Adrian Maher, 2010

Wines and Spirits

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by Michael Cervin

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by Tom Plant

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by Norman E. Hill

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by Brenda C. Hill

Venturing Outside Paris to the Land of Bubbly: Champagne, France
by Adrian Maher
Global-Writes IFWTWA
1 to 5 of 18 Global-Writes IFWTWA
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